The D3generates is a three-piece condemnation of misogyny that’s been normalized, excused and has been brushed off as “boys being boys”. The Tugger, The Drugger and The Plugger.
These figures are built to show how entitlement rewires empathy into appetite. How some men stop seeing women as people and start treating them like content, targets, or property.
This series doesn’t ask you to “consider both sides.” It calls the bluff. It drags the behaviour into the open and leaves it there, ugly, obvious, and impossible to dress up as a misunderstanding.
This isn’t satire for laughs. It’s a spotlight. It puts predatory behavior in a form you can’t scroll past, excuse, or rebrand as romance.
The Tugger is porn-brained entitlement with a pulse. He confuses access with affection and attention with consent, then gets bitter when reality doesn’t perform on command.
He’s the guy who calls himself “a good dude” while talking like women exist for his entertainment. The Tugger is where the rot starts, casual, common, and socially tolerated until it grows teeth.
The Drugger is what happens when rejection meets ego and ego refuses to lose. He can’t handle women having agency, so he tries to delete it. This figure is a blunt statement about coercion, restraint, and the deliberate theft of consent.
No confusion, no “blurred lines”, no romance narrative. Just a choice. This piece is about control, violation, and the violence hiding behind charm.
The Plugger is obsession weaponized through tech. He doesn’t want connection. He wants access. He wants proximity. He wants the power to interrupt her life whenever he feels like it.
This piece is about the slow squeeze. The Plugger is control disguised as persistence, the kind society still calls “romantic” right up until it becomes dangerous. And by then it’s already too late.
Made from Dunny Blanks and polymer clay. Painted with Acrylics.
